Classics

54 pages

4 m, 3 w

Arms and the Man is a satire on the glorification of war and the folly of basing one’s affections on an unreal love. Set in the 1880s, Raina Petkoff, a Bulgarian whose father and fiancé Sergius are serving in the war, is warned enemy soldiers may be nearby. Soon Captain Bluntschli, a war-weary enemy, breaks in and holds her hostage. Over the course of the evening, they start to connect. Raina provides him with one of her father’s coats and some chocolates, giving him the nickname, “my chocolate-cream soldier.” When the w...

50 pages

24 parts

Here is Shakespeare's classic comedy condensed without losing the passion, humor, and magic that has made the play a theater favorite. This adaptation, while remaining true to the original, is cut to about an hour and a half performance time, making it ideal for junior and high school productions. This timeless story remains the same: two young couples are all in love, but with the wrong people. They chase each other in a fantasy world, a forest filled with fairies, love potions and even a donkey. Their journey makes for an outrageous romp that advances perfe...

62 pages

4 m, 5 to 6 w, 2 extras

London. On a rainy evening in 1913, linguist Henry Higgins has a fateful encounter with an impertinent Cockney flower seller. When the girl shows up at  his laboratory the following day, the haughty and impulsive Higgins makes a bold wager with a colleague: employing his mastery of language he will transform Eliza Doolittle from a rough street urchin into an aristocratic lady in just six months’ time. And so begins Eliza's halting metamorphosis … but what will become of the poor girl once this “experiment” is over?

George Bernard Shaw's classic h...

76 pages

10 m, 16 w, many extras. (With doubling 8 m, 11 w.)

Jane Austen's timeless tale of romantic love touched by pride and prejudice is brought to the stage in this adaptation conceived especially for schools and small theatres. All the components of the novel remain: romance, love, rivalry, friendship and the many foibles and delights of family. While the clash between the lively Elizabeth and the arrogant Darcy remains at the heart of the play, love in all its many facets dominate all of the characters’ lives. The play remains faithful to the marital rites and manners of Regency England as courtships are explored...

80 pages

Flexible cast of 34 (doubling possible)

Stories by Edgar Allan Poe. Introductions and staging by Billy St. John. One all-purpose set serves as the back for these tales of mystery and terror. Although there are five separate stories included, you can perform only three or four and still have a 90-minute to 2-hour show. One character, Poe himself, narrates the plays and ties them together. Each section of Poe's narrative is set apart so that you can change or eliminate it depending upon which plays you choose to perform. Plays include "The Tell-Tale Heart," "The Fall of the House of Usher," "The Cask...

45 pages

11 m, 13 w, extras

From the story by Washington Irving.  Ichabod Crane, a nervous and superstitious sort, is the new schoolmaster assigned to Sleepy Hollow, a small town by the Hudson River. He sets his eyes on Katrina, the eldest daughter of rich farmer Baltus Van Tassel. But Katrina is already "claimed" by Brom Bones, the biggest bully in town! As Ichabod woos the fair Katrina, Brom schemes to regain what he considers his rightful place. He blackmails four unwilling witches into conjuring up the infamous Headless Horseman. With the help of a little stage magic, the Horseman m...

41 pages

Flexible cast up to 42

Here's an hour-long adaptation of the Charles Dickens' novel that's as practical as it is entertaining. While staying close to the original novel in dialogue, this version adds additional speaking roles. Along with the hard-hearted Scrooge, the Christmas Spirits, the Cratchit family and the beloved Tiny Tim, there are carolers, goblins, and guests as well as two storytellers, Mrs. Candlewick and Mrs. Peartree, who help keep the action flowing. Because the cast is so flexible, you can combine roles for a small cast or expand it into an all-grade performance. C...

43 pages

6 or more flexible characters

Twelve short scenes depict events in the life of Edgar Allan Poe -- or how his life might have been in today's world! Some of the more popular tales are represented: "The Tell-Tale Heart" is a police investigation; "The Cask of Amontillado" is a Jerry Springer-type TV show; and "The Masque of the Red Death" has a group of Hollywood types hiding out in a castle. In "The Fall of the House of Usher" Poe himself pitches the story to a producer for a horror film. Other scenes depict Poe as he might have been in elementary school; seeing a psychiatrist; trying to w...

66 pages

Widely flexible cast

A father tells his young daughter a story of Ebenezer Scrooge on his terrifying and exhilarating journey to discover the true meaning of Christmas. But we do not realize until the end that the characters in this adaptation are more real than ever before. The covetous old miser who finds his heart turns out to be the little girl’s Great-Uncle Scrooge, and her father is Tiny Tim, an even kinder, more insightful soul as an adult than he was as a child. This unique adaptation, infused with popular Christmas carols, is sure to make your audience feel alive with ho...

26 pages

4 m, 6 w, 1 flexible, 1 child

The Hillsdale Community Theater wants to produce "A Christmas Carol," but they don't have enough actors to play the extraordinarily large number of parts. So their undaunted director, being resourceful (if not totally realistic), has triple and quadruple-cast the roles. And since everyone in sight has been recruited, the cast also fills in as costumers, stagehands and technicians. The impossibility of this situation brings tensions to a comical head as the final rehearsal invites one calamity after another. "Scrooged Up!" provides a Dickens of a time for ever...

21 pages

4 m, 2 w

It's Christmas time. An old man sits in his sitting room eating his porridge. Just then Marley bursts in and begins to rattle his chains, scaring the man half to death. You all know the story or do you? "I have come to save you from a horrible fate, Ebenezer Scrooge!" Marley shrieks. "I'm not Scrooge!" the man points out. "He moved!" Sure enough, Marley is at the wrong house. Not only the wrong house but on the wrong night. "This is Christmas eve EVE," the old man tells him. "I'm sorry, I've been dead!" Marley alibis. Then the other three ghosts show up. "Wil...

54 pages

11 m, 11 w, 2 flexible, 8 boys, 6 girls.

This faithful yet unique adaptation of the Charles Dickens' holiday story begins in "another world" where Tiny Tim appears. More than just an employee's crippled son, he is a symbol of Scrooge's own infirmity. Scrooge's deceased business partner, Marley, is granted permission to return to Earth with a small but powerful army of holiday spirits on his adventure to convert the covetous old sinner into a Yuletide saint. The most popular scenes of the novel are dramatized, but especially powerful is the future scene of Bob Cratchit's gut-wrenching loss of his bel...

63 pages

7 m, 3 w

Molière’s comic masterpiece centers on the character of the French courtier Alceste and the beautiful young widow Célimène he hopes to marry. But the two have radically different personalities: Alceste is a snob who insists on telling everyone the truth as he sees it, and Célimène’s instinct is to tell people - and particularly attractive men - only what they are dying to hear. So Célimène flirts and gossips with the courtiers who come to her house while Alceste fumes in jealousy. A virtual menagerie of other characters seek to intervene, either to bring the ...

73 pages

4 m, 4 w, 3 flexible, numerous extras

Young, gifted opera singer Christine Daae has just filled in for La Carlotta, the reigning prima donna, to a stupendous ovation at the Paris Opera. Christine has been tutored by an instructor whom she thinks of as the "Angel of Music." She convinces him to let her see his hidden world, for she realizes he is the feared "Opera Ghost," though he tells her his real name is Erik. Reluctantly, he takes her to his lair where she sees the wonder of a world that totally revolves around music. Curious, she pulls off the mask he wears and sees the hideous visage beneat...

43 pages

7 m, 7 w, 15 flexible

Adapted from the novel, "The Wizard of Oz," by L. Frank Baum.  7 m, 7 w, 15 flexible. Much doubling possible. Extras as munchkins and winged monkeys.  Trapped in Kansas and longing for a mall, Dorothy and Toto are suddenly whirled off stage, right into the audience, where a yellow brick road weaves in and out of the tables and munchkins are serving food. In this outrageous version of L. Frank Baum's lovable book, the Tin Man has frozen in front of a computer, and the Cowardly Lion stands on a guest's chair to escape a mouse. As the plot unfolds, we eventually...