PLAYWRIGHT BURTON BUMGARNER
TALKS ABOUT "OFFICE ZONE"
Q: WHAT INSPIRED YOU TO WRITE THIS PLAY?
A: I had recently seen Mike Judge's wonderful film "Office Space," and was reflecting on the brief time I had spent working in a corporate environment. Work consisted of generating endless flow charts, grafts and reports, attending team building and brainstorming sessions, and being consistently reminded about the importance of critical and creative thinking. For the most part, large corporate work places are great, lummoxing entities that really don't function very well. I wanted to capture some of the inefficiency and the foolishness in an entertaining venue that audiences would enjoy.
Q: WHAT IS YOUR FAVORITE PART OR LINE IN THE PLAY? WHY?
A: My favorite line comes after Andrea, the new idealistic office manager, dissolves in tears over the apathy of the workers she's tried to inspire. In an attempt at comfort and reassurance Emily says: "It's not that we don't like you, Andrea, which we don't. It's that we don't like our jobs. We don't like Sly-Tech. We don't like each other. You're just one more component in a large, dysfunctional system." I think response is hysterical. By the end, the workers discover that they DO like each other.
Q: WHERE DID THE CHARACTERS IN THE PLAY COME FROM? ARE THEY BASED ON PEOPLE YOU KNOW?
A: The characters are entirely made up. Most are in different stages of burning out.
Q: WHAT DID YOU TRY TO ACHIEVE WITH THIS PLAY?
A: I want to give actors a script that is hilarious to watch and great fun to perform. I also tried to make the script as accessible as possible to high school actors. Perhaps some of their parents who work in the corporate world will find something to laugh at and enjoy in this script, also.
Q: IS THERE ANYTHING ELSE YOU'D LIKE TO ADD ABOUT WRITING THIS PLAY?
A: "Office Zone" is a farce which satirizes the corporate world and the poor souls who are trapped on its lower rungs. It isn't meant to be mean-spirited, or in any way disparaging of the large percentage of our population who work in offices. Its entire purpose is to make people laugh, and maybe to offer a little encouragement. At the beginning of the script our workers are strangers, by the end they are friends. Their relationships changed when they got to know each other, and shared some of their dreams. I hope performers have as much fun bringing the play to life as I had writing it.